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Chantal Akerman’s ‘Jeanne Dielman’ Named Best Film of All Time in Sight and Sound Poll

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In one other first, the list also includes two animated movies, each directed by the Studio Ghibli co-founder Hayao Miyazaki: “My Neighbor Totoro” (1988) is tied at No. 72 and “Spirited Away” (2001) is tied at 75. 4 movies within the Top 100 were released within the last decade, including “Portrait of a Lady on Fire,” Barry Jenkins’s “Moonlight” (2016), tied at No. 60, Bong Joon Ho’s “Parasite” (2019), tied at No. 90, and Jordan Peele’s “Get Out” (2017), tied at No. 95.

The Oscars aren’t until March, however the campaigns have begun. Kyle Buchanan is covering the movies, personalities and events along the way in which.

In 2012, no film released within the previous 10 years made the cut.

As is the case every decade, the brand new arrivals mean some notable demotions. This time, a handful of long-heralded landmarks, including David Lean’s “Lawrence of Arabia” (1962), Sam Peckinpah’s “The Wild Bunch” (1969) and Roman Polanski’s “Chinatown” (1974) dropped out.

“Momentum moves in each directions,” Williams said. “Certain directors perhaps are less in vogue now than they were up to now.”

To create the list, five Sight and Sound editors and associates asked respondents to pick out what they considered to be the ten best movies of all time, with the definition of “greatness” left to the respondent’s discretion. The lists were unranked — each of the ten movies received one vote. The editors then used software to rank all submitted movies by the overall variety of votes.

Akerman’s triumph continues a long time of growing recognition for the director, who died in 2015 at 65. “Jeanne Dielman,” the primary of several of her movies exploring the inside lives of ladies, meticulously tracks the day by day routine of a middle-aged widow, slowly constructing to a dramatic climax. A second Akerman film, “News From Home” (1976), inspired by her move to Recent York City, also made the Sight and Sound list, tied at No. 52.

Talking to The Times for Akerman’s obituary, Nicola Mazzanti, the director of the Royal Belgian Film Archive on the time, said “Jeanne Dielman” “created, overnight, a recent way of constructing movies, a recent way of telling stories, a recent way of telling time.

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