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From the Musician Weyes Blood, a Moonstone Heart Necklace

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Ulum Moab, a recent resort about an hour’s drive from the Arches and Canyonlands national parks, opens next week, promising visitors a probability to maximise their time in southern Utah’s red rock country. Fifty safari-inspired tents — each with a king-size bed and queen-size pullout sofa — are scattered across 200 acres, just paces from Looking Glass Rock, south of Moab. Inside, adornments and amenities include woven rugs, Pendleton blankets, Aesop bath products and West Elm furnishings, in addition to a cooling fan and a wood stove. But the concept just isn’t to spend an excessive amount of time inside, particularly when there’s complimentary yoga, stargazing, on-site mountaineering and evening s’mores by shared fire pits, not to say canyon-side cocktails incorporating local flora akin to sage, juniper and prickly pear. For those wanting to go farther afield, the resort can arrange mountain biking, white-water rafting, mountain climbing and guided national park tours. Ulum Moab’s season runs from March 30 through Oct. 23, tents from $549, ulumresorts.com.

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The jewellery designer Jess Hannah Révész met the singer Natalie Mering, higher often known as Weyes Blood, backstage at Barcelona’s Primavera Sound festival in 2022. “I’ve been a fan of Natalie’s music for years and had even bought tickets to her L.A. show before this project began,” says Révész, who creates sculptural hoop earrings and nail polish in delightfully off-kilter colours (a brown-green called Compost, a creamy beige called Miso) under the name J. Hannah. “She mentioned an interest in making a necklace to coincide with the theme of her album, and I after all jumped at the chance,” says Révész. Mering’s latest album, “And within the Darkness, Hearts Aglow,” was released in November and she or he desired to create merchandise with more endurance than a T-shirt. The duo settled on a heart-shaped moonstone pendant set in one hundred pc recycled gold or silver. “My album was definitely written in a time of tumult,” says Mering, who worked on it in the course of the pandemic, when she was also going through a breakup. To her, the opalescence of the necklace represents “how hope and levity can shine through essentially the most trying times.” From $398, jhannahjewelry.com.

This summer’s visitors to the South of France should take a break from the beaches and wineries to see an exhibition dedicated to the designer Andrée Putman, a French female pioneer of the Modernist movement. The show marks the primary collaboration between Fondation CAB, an art space positioned inside a mid-century complex in Saint-Paul-de-Vence, and Villa Noailles, a cross-disciplinary art center in Hyères — the exhibition will happen at CAB, but its curator, Eléa Le Gangneux, is the historian at Villa Noailles. Putman, often known as “La Reine du Damier” (Queen of the Checkerboard) due to her penchant for black and white tiles, sparked collaborations between artists, architects and fashion designers long before it was en vogue. She also played a task in protecting Villa Noailles, in-built the Twenties, from destruction, lobbying for it to be listed as a historical monument. This exhibition won’t be the primary to have a good time Putman’s legacy, nevertheless it is essentially the most personal, says Putman’s daughter, Olivia, who continues to run her mother’s studio. Putman lent lots of her mother’s private objects to the exhibition, from her signature bangles to letters from her friends, amongst them Karl Lagerfeld and Leonard Cohen, which might be shown on a ceramic tile table of Putman’s design. The display also features a reconstruction of certainly one of Putman’s most iconic interiors: the checkered bathroom of the Morgans Hotel in Manhattan. “Andrée Putman and the Creators of the Modern Movement” is on view from March 22 to Oct. 29, fondationcab.com.

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For many years, the Philadelphia-born painter Stanley Whitney has been pursuing his own version of the modernist grid. He tackles his saturated canvases intuitively, letting each hue lead him to the subsequent. The resulting freehand grids evoke quilts whose threads have been gently tugged at on all sides, their once-even panels ballooning, their dividing lines suddenly wonky and free. Whitney’s latest solo exhibition, “There Will Be Song,” opens this month at Gagosian’s Grosvenor Hill gallery in London. It comprises 14 recent oil-on-linen works made in 2022 and 2023. In “By the Waters of Manhattan” (2022), Whitney stacks colours like misshapen bricks: a sunny yellow sits on a block of bubble-gum pink; beneath that may be a pockmarked green. You won’t be surprised to learn that Whitney listens to jazz while he paints. This show is polyrhythmic. What’s most enjoyable for the viewer is getting as close as possible to his canvases, where his brushwork declares itself plainly, dripping and zigzagging backwards and forwards, songs revealing their making. “There Will Be Song” is on view from March 30 to May 14, gagosian.com.

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On April 4, the Italian fashion house Bulgari will debut its eighth hotel, this one in Tokyo. Occupying the fortieth to forty fifth floors of the Tokyo Midtown Yaesu skyscraper (also home to a slew of recently opened restaurants and shops) across from Tokyo Station, the 98-room property offers expansive views of Mount Fuji to the west and Tokyo Bay to the east. Much of the furniture was designed by the Italian architect Antonio Citterio, who focused on materials like local hinoki wood and Italian travertine. Traditional Japanese bamboo baskets hold the fresh flowers which can be placed in every room’s vestibule, while ceramic teapots and handmade vases inspired by Japanese kimono patterns add local touches elsewhere. The hotel’s eight-seat sushi counter, helmed by the three Michelin-starred chef Kenji Gyoten, overlooks a Japanese rock garden. On the Italian restaurant, led by Niko Romito (whose restaurant, Reale, in Abruzzo, also has three Michelin stars), Milanese-style risotto with saffron and linguine with lobster are the celebs of the menu. On the fortieth floor, the Bulgari Dolci pastry shop serves up profiteroles and almond-and-chocolate caprese cake. For guests looking for total leisure, there may be a ten,765-square-foot spa and indoor pool. Rooms from about $1,951, bulgarihotels.com.

The Antwerp-based architect and interior designer Vincent Van Duysen has collaborated with Gregg Cohenca, the American founding father of the performance wear line Jacques, on a set of functional objects for movement and meditation. Van Duysen and Cohenca each have every day meditation practices; in the course of the pandemic they were inspired to create design-focused, practical accessories to help them. The six-piece collection encompasses a meditation chair, a bo stick, a side table, a blanket, a block and a sand bag, all designed to mix with their user’s every day life. The chair — a picket stool that’s low to the bottom with an inclined seat, promoting strong posture — can even function an end table. A blanket made from an Italian wool silk mix acts as a support for the body when folded, but looks just as lovely as a throw. Cohenca has been using the solid oak blocks in his pranayama yoga practice — but after they’re not supporting his savasana, a haphazard stack of them might be mistaken for a totemic sculpture. Jacques Vincent Van Duysen Mindful Movement Objects can be found starting March 23, from $110, jacquesnyc.com.

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