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On Minorca, a Distant Farmhouse Revived as an Upscale Estate

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While Ibiza and Majorca each offer farmhouse-turned-villa rentals in all sizes and shapes, comparable options on the less visited and easternmost Balearic island of Minorca will not be as plentiful. That makes Finca Bellavista, a five-bedroom homestead on the island’s southwest side, a few 20-minute drive from the medieval town of Ciutadella, a welcome addition. Opened by the French hotelier Arnaud Zannier, it’s the most recent property from Zannier Private Estates, his family’s collection of bookable residences that features a 10-bedroom chateau near Saint-Tropez and a vineyard in northern Portugal. This recent spot feels similarly rooted in its rural setting — braided baskets, unpolished picket furnishing and locally sourced antiques warm up the meticulously renovated farmhouse’s lime-washed interiors, and over 120 private acres of plains, forest and farmland lie between its front porch and the ocean. “I visited several properties across the island and fell in love with this one,” Zannier says. “The constructing embodies typical Minorcan traditions — the massive chiminea, the flat roof terrace and the enduring white coating — and it’s so distant.” But while it could have rustic appeal, it is just not without an outside pool and a personal chef. Guests will even wish to avail themselves of a secluded pathway on the grounds that snakes to considered one of Minorca’s most pristine coves, Playa de Son Saura, and connects to the Camí de Cavalls, a walking route that encircles the entire of the island and passes right in front the estate. Price upon request, zannierhotels.com.

After meeting through a mutual friend in London, Michael Bargo, the Latest York interior designer and furniture dealer who’s long used his apartment as an ever-evolving showroom, and Bilal Fellah, the co-founder of Port Tanger, the eyewear label inspired by vintage pairs and the vibrancy of the Moroccan city for which it’s named, decided to link up for the most recent iteration of the brand’s ongoing Visited By series. The collaboration consists of 1 stool and one pair of glasses in six colorways. Bargo looked to Twentieth-century design and cafe society when coming up with the latter’s round acetate frames with contrasting fluorescent lenses (they give the impression of being a bit like ones Aristotle Onassis used to wear), but borrowed the name for them, Temo, from his pet Chihuahua. The stool, handmade from Moroccan walnut wood and woven cow leather, can also be meant to evoke glamorous gatherings of yesteryear while being quite practical. “You could have this easy piece of furniture that functions in many alternative ways,” says Bargo. “It will possibly be an additional dining chair, coffee table or seat.” The stool can also be versatile in that it’s as easy to picture in a Latest York hot spot as in a Tangier hideaway. “I really like Tangier,” says Bargo. “It has a type of speakeasy culture, with most things happening behind closed doors. It makes it difficult to completely experience town for those who don’t have a neighborhood guiding you. But you then discover all of those beautiful little secrets.” Temo eyewear, $290; stool, $675, porttanger.com.

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A 2020 Gallup poll revealed that the typical adult washes their hands five or more times a day — so why not benefit from it? Relishing the method is feasible because of a trio of brands concocting formulas using elevated ingredients and complex fragrances. Sidia, the most recent enterprise from Erin Kleinberg of the branding agency Métier Creative, launched its citrusy Hand Exfoliant and Hand Serum this month in hopes of encouraging customers to take small moments for themselves throughout the day. The exfoliant is satisfyingly gritty, and the fast-absorbing serum guarantees that there’s no slipperiness after application. Homecourt, the actor Courteney Cox’s line, took special care with its Hand Wash and Hand Cream, which are available 4 fragrances: steeped rose, neroli leaf, cipres mint and Cece, a spicy, smoky mix that’s the founder’s signature. Each include ingredients like wild hibiscus extract, soothing microalgae oil and argan oil that nourish skin with every use. Finally, Flamingo Estate, the California-based brand that partners with growers and naturalists, offers products which might be as near farm-to-sink as you may get. Its Garden Essentials line features a Castile Hand Soap, with oils like babassu, rose hip seed, and olive to support a healthy skin barrier, and a Body Lotion, with jojoba and avocado oils together with oat and micro algae to make the skin more resilient. And the eucalyptus, lavender, rosemary and sage scent calls to mind the plush gardens of its namesake estate, making a practical routine feel like a temporary escape.

In 1972, Gisela Getty and her twin sister, Jutta Winkelmann, landed in Rome with one purpose: to reinvent themselves. There, the free-spirited, Kassel, Germany-born twins, who had already begun to make a splash with their participation within the West Germany student protests of 1968, became poster children for the era’s unbridled bohemianism as they found LSD and a colourful circle that included Bernardo Bertolucci, Roberto Rossellini, Mario Schifano and J. Paul Getty III, whom Gisela would go on to marry. “We had this sense that it was an important time, so we began to take our camera with us all over the place,” Gisela recalls. Among the resulting images — in addition to photographs of the equivalent dark-haired siblings with the likes of Leonard Cohen, Dennis Hopper and Timothy Leary from the years that followed — make up “Summer of Love,” an exhibition opening at Indi Herbst Galerie in Starnberg, Germany, next week. Perhaps probably the most poignant of the roughly 30 included pictures is a Robert Freeman snapshot of the sisters sauntering bare-breasted down a rustic road in Italy days before Gisela’s then fiancé was kidnapped and held for ransom by the ’Ndrangheta crime syndicate. (Upon his release, the couple fled to California.) “After that, the world began to alter, and the window of looking into paradise slowly closed,” she says. But to her, the show takes us back to only before — “that whole moment of freedom by which we modified the paradigm to something more tender, more liberated, more tolerant.” herbstgalerie.com.

Lucas Ossendrijver is best known for his 14-year tenure because the designer of men’s wear at Lanvin, which was defined by collections rooted in point of fact but replete with luxurious flourishes. Since his departure from the home in 2018, he’s spent quite a lot of time gardening, traveling and teaching — doing things that were difficult to administer under the nonstop demands of the standard fashion calendar. Thus, he promised himself that any return to the business could be for something he really believed in. Ossendrijver found just that when he was approached to design a set for Theory Project, a collaborative extension of the American brand. The Dutch designer is quick to notice that the result doesn’t consist of flashy looks for a runway show; somewhat, these are clothes that skew business casual and are supposed to be worn by a big selection of individuals of their on a regular basis lives; Ossendrijver was especially excited about Latest Yorkers, who’re continuously on the move and want their wardrobes to be flexible, each physically and situationally. That doesn’t mean the pieces are without his signature elevating details, nevertheless. Within the look book, striped shirting is paired with a camel wool bomber jacket lined in quilted washed satin, while a stately topcoat seems to be made out of recycled wool from Manteco, an progressive mill in Prato, Italy. Ossendrijver’s favorite piece is a recycled nylon parka that is available in black and grey or color-blocked with browns and blue. He loves its capacious pockets, round silhouette and taped inner seams, which offer extra reinforcement and protection from the weather — like much of the gathering, says Ossendrijver, “it’s as beautiful on the within as on the surface.” From $95, theory.com.

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